Forte is the marriage between the arts, in the symbiosis of thought and multifaceted characters: the shape is the period, ' adjective is the color, the look that sits signs pausativi, long pauses, emotional, introspective, love, sentiment, sensuality and poetic paintings, eros. Each element gives to another, the ancient myth, the tale of Hermione, the music of Orpheus, where the harp takes the form of the soul, where the harp as the tone of the East and returns to the brilliance of the colors, plastic, shiny and smooth to the touch, where the pound's poetry embodies. She is the woman he meets on the threshold of Klimt's wife D'Annunzio and picks up sounds and mysteries, "the yearning for happiness Place in Poetry," said Klimt and so is his art that is poetry, full convergence:
Taci. On the threshold / of the forest do not hear / words you say / human, but I hear / new words / talking drops away and leaves.
Play. Rains / clouds dispersed. / It rains on the tamarisk / salt and burned, / rain on the pines / scaly and spiky, / raining on the myrtles / divine / shining on the broom / Flowers accepted, / on the thick juniper / pampering fragrant, / rain on our faces / Sylvan, / it's raining on our hands / naked, / on our clothes / light / on the fresh thoughts / that opens the soul / news, / on the lovely fable / yesterday / t'illuse, Today m'illude, or Hermione.
Dolce plays the "Poetry", the ethereal "Beethoven Frieze" food for the journey to happiness. Marked by symbolic and surreal figures that parade on mute his boss, Poetry wins the fight between good and evil, and the curvilinear figure, placed in profile, holding gracefully the pound to play a song, a symphony that free the world from evil. The frieze is an "Ode to Joy" and the beauty of expression, where the Greek vase painting crosses the Egyptian painting, where the incisive meets Japanese prints of African sculpture. A remarkable eclecticism, where symbols are allegorical theme of reading: geometric shapes, circles, eyes, spirals, casting an atmosphere of beauty, excitement, of transience and death. The pursuit of happiness subsides in poetry and the Arts guide us towards an ideal kingdom, the only one who can give joy to man, happiness and love. Forte is the erotic symbolism. The frieze is a hymn to life, in the struggle between good and evil returns to the ancient tale: the armored knight tries to reach the woman, but must first overcome the adverse forces. In the final scene, the knight is nestled in the embrace of woman as a hero but as a lover subdued, a kind of Siegfried in excess of the circle of fire that separates it from Brunhild, the woman, whom he ignores the existence and the who found love. The cathartic function of art becomes sovereign.
Klimt art offers sophisticated, cultured and refined the art nouveau and a new language expression. If the art in the series, gold, recalls the old icons as a symbol of sacredness, the figures of Klimt's gold give a new meaning, no longer characterizes the belief or the power but Love, and this becomes the " Kiss ", gold, emblem of a passionate love up to capacity, a" task "fiery yet sweet and smooth in the refinement of color, repeated allegorical symbols that characterize his enveloping her dreamy. And in the static silence that surrounds the lovers, there is a kind of sacredness of the 'Love, "an infinity of flowers and hearts, which makes eternal Klimt in a blatant eroticism in gesture and that repeated synesthesia makes live under:
It is enveloping him in "Kiss," the sensual "Consummation," Romantic "Love":
Do you hear? The rain falls / on the lonely / vegetables / with a rattle that lasts / e in the air varies according to the branches / more rare, less sparse.
Play. Answers / to tears singing / cicadas / Southern Africa that crying / not afraid, / nor the ashen sky.
And the pine has a sound, and the myrtle / other sound, and the juniper / more-tools / other / in countless fingers.
and immense / we are in the spirit / Scotch / tree of life, living, / and your face ebro / is spring rain / like a leaf, / and your hair / auliscono as / clear the gorse, or land creature / you name / Hermione.
hieratic painting, decadent, erotic, where the intertwining of the elements creates a perfect harmony between the arts, music and sings the poetry of the senses:
Play, Play. The agreement / cicadas of air / slowly / more deaf is done under the trees / that grows, / but there is a song mixes / more hoarse / that there's salt / remote damp shade.
More deaf and dimmer / s'allenta, is extinguished.
Only a note / still trembles, turns off, / rises, trembles, turns off.
It is heard throughout the frond / Crosc / the silver rain / that world, that the Crosc ranging / branch in accordance with the thicker, less dense.
Play. / Daughter / air is mute, but her daughter / silt away, / the frog / sings in the shadows deepest, / who knows where, who knows where! And it rains on your eyelashes, / Hermione. / It's raining up your eyelashes dark / So that it seems you cry / but of pleasure, not a white / almost done but virente, / par to peel you out.
All my life is in us fresh / fragrant, / my heart in my chest is like fishing / intact, and between the eyelids and eye / I'm like chicken / among the grass, / teeth alveoli / I'm like bitter almonds.
repeated and the embrace, the silent nature of poetry, sound and color enamel and dazzling life ... become
And we go in offal offal, / or joint or dissolved / rude vigor and green there belting ankles / knees c'intrica
who knows where, who knows where! It's raining on our faces / Sylvan, / it's raining on our hands / naked, / on our clothes / light / on the fresh thoughts / that opens the soul / news, / on the lovely fable / yesterday / m'illuse, now t'illude, or Hermione.
The embrace deep and voluptuous, photographed on a smooth and polished, shapes disembodied, seemingly static, reflected in the gestures and gaze deep sense of intimacy, a blend of masculine symbols and female geometric figures that express passion, love, sensuality.
This is the d'Annunzio to that game with synesthesia helps to keep alive the eye and ear the elements of nature. Chiara is the identity of the decadent painting and poetry as decadent renewal of expressive tones.
Languidly sensuality and love, is the woman of Klimt. A woman with smooth strokes, ethereal yet palpable incorporate, in the narrow, where the female symbolic and mixes divinely marked for men. Klimt's art expresses through lines, colors and symbols of the inner life of the artist himself.
hear? The rain falls / on the lonely / vegetables / with a rattle that lasts / e in the air varies according to the branches / more rare, less sparse.
Play. Answers / to tears singing / cicadas / Southern Africa that crying / not afraid, / nor the ashen sky.
And the pine has a sound, and the myrtle / other sound, and the juniper / more-tools / other / in countless fingers.
and immense / we are in the spirit / Scotch / tree of life, living, / and your face ebro / is spring rain / like a leaf, / and your hair / auliscono as / clear the gorse, or land creature / you name / Hermione. (Gabriele D'Annunzio, 1863-1938, "The rain in the pine forest" - Alcyone)
Anna Lanzetta
Gustave Klimt (1862-1918)
Amore, 1895, Vienna, Historisches Museum der Stadt Wien
"Il bacio , 1907-1908, Vienna, Osterreichische Galerie Belvedere, Belvedere Castle
Il Compimento (particolare del Palazzo Fregio by Stoclet), 1905-1909, Vienna, Austria MUSEUM
Applied Art "Tues Fregio Beethoven", 1902, Vienna, Secession
"the task"
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